The tractor coughs to life on the gravel track,

engine groaning like a man waking from a long

sleep. Dust blooms behind it, thick as old grief.

Outside the window, the sky splits into layers

of grey and gold—the kind of light that makes

the hills look like they’re holding their breath.

Inside the house, the floorboards shift

underfoot, not from wind, but because something

below is breathing. The walls remember: the way

the ceiling cracked after the fire, how the oven

door opened once without being touched. A milk

jug sits on the bench, full, though no one has

filled it since the drought.

She doesn’t speak. She stops at the kitchen

table where her father used to carve names into

the wood—her name, her mother’s, and one she

never knew: Ko te pō kua rere. Not a name. A

warning.

The power goes out. Not a flicker. A plunge.

Then the radio crackles: static resolving into a

voice speaking te reo Māori, not over the

airwaves, but from the wall itself. It says

nothing. Just repeats the same phrase: He tēnei

waiata, he kāinga e kore e hoki. This song, this

home, will never return.

She finds the deed tucked in the back of a

cupboard—mortgaged to the Crown, sealed with a

red stamp that wasn’t there last week. Her

father’s signature is still wet. But he died in

’65.

That night, the rain comes sideways. The roof

leaks not in drops, but in slow, steady pulses—

like footsteps marching up the rafters. She sees

movement in the mirror: her reflection turns

away before she does.

At dawn, the porch steps are gone. The earth has

swallowed them whole. She stands barefoot on the

edge, and the ground answers—not with soil, but

with a sound: a low, deep hum, like the world

remembering what it forgot.

She walks back to the road. The house does not

follow. But when she looks over her shoulder,

the windows are open, and someone inside is

singing—soft, familiar, the lullaby her mother

used to sing when the storms came.

The song ends. The house falls silent.

She never returns. But the next morning, the

local paper prints a photo of the farm: empty,

overgrown, a fence collapsed into the hillside.

Underneath, a note from the land registry:

Property cleared. No heirs found.

And beneath that, a handwritten line in pencil:

They didn’t leave. They were never here.